sub_space

sub_space n. 1. A space that is wholly contained in another space, or whose points or elements are all in another space. 2. An improvisation structure for an ensemble of dancers, visual artists, and sound artists. v. 1. To cultivate

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sub_space

sub_space n. 1. A space that is wholly contained in another space, or whose points or elements are all in another space. 2. An improvisation structure for an ensemble of dancers, visual artists, and sound artists. v. 1. To cultivate

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duo—2012 (Grüntaler9)

Duo // movement + sound improvisation Stina Nilsson / movement William “Bilwa ” Costa / sound Monday, October 22, 2012 grüntaler9 – space towards the performative Grüntaler Str. 9 – 13357 Berlin S+U Gesundbrunnen This performance marks the debut of

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duo—2012 (Grüntaler9)

Duo // movement + sound improvisation Stina Nilsson / movement William “Bilwa ” Costa / sound Monday, October 22, 2012 grüntaler9 – space towards the performative Grüntaler Str. 9 – 13357 Berlin S+U Gesundbrunnen This performance marks the debut of

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sum+—2012 (Agora Berlin)

SUM+ is a structured improvisation evening that shares the control of its outcome through a game-like participative situation. The audience has the chance to compose the scenes, which they would like to see, through a palette of sound, movement, set

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sum+—2012 (Agora Berlin)

SUM+ is a structured improvisation evening that shares the control of its outcome through a game-like participative situation. The audience has the chance to compose the scenes, which they would like to see, through a palette of sound, movement, set

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sound/map

Bilwa: sound Aya Imamura: mapping sound/map is a collaboration between Bilwa and Aya Imamura. Bilwa produces 3-d sounds around Aya, using a sound system and raw materials. Aya maps the qualities and architectural coordinates of these sounds, using a system

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sound/map

Bilwa: sound Aya Imamura: mapping sound/map is a collaboration between Bilwa and Aya Imamura. Bilwa produces 3-d sounds around Aya, using a sound system and raw materials. Aya maps the qualities and architectural coordinates of these sounds, using a system

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imaginary is also real

A collaboration w/ Jil Stifel This project consists of my collaborator Jil and me performing various versions of the score below*. Jil and I are rarely in the same geographic place (perhaps once a year), but we “meet” in the

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imaginary is also real

A collaboration w/ Jil Stifel This project consists of my collaborator Jil and me performing various versions of the score below*. Jil and I are rarely in the same geographic place (perhaps once a year), but we “meet” in the

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Postwurf Logistikzentrum—2012 (Nürnberg)

Intercontinental Collaborations gathered for a laboratory hosted by Postwurf Logistikzentrum (a project of Chris Weiß) at the KREIS gallery (Nürnberg). The lab culminated in a performance/installation/environment on Wednesday, 15th of August at 20:00. Limited addition art works produced by Intercontinental

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Postwurf Logistikzentrum—2012 (Nürnberg)

Intercontinental Collaborations gathered for a laboratory hosted by Postwurf Logistikzentrum (a project of Chris Weiß) at the KREIS gallery (Nürnberg). The lab culminated in a performance/installation/environment on Wednesday, 15th of August at 20:00. Limited addition art works produced by Intercontinental

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how we deviate with

A dialogue between Emily Sweeney and Mariella Greil In the dialogue project How We Deviate With we will dance, talk and write about issues of relationality, choreographic practice and performance, and the immanent potentials inherent in these. We are both

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how we deviate with

A dialogue between Emily Sweeney and Mariella Greil In the dialogue project How We Deviate With we will dance, talk and write about issues of relationality, choreographic practice and performance, and the immanent potentials inherent in these. We are both

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resonancia—2012 (Mexico)

  In May 2012, Bilwa and Emily were in Mexico collaborating with Martín Lanz Landázuri and Florian Tuercke, conducting research into movement, sound, space, and resonance, which culminated in three performances in different spaces. This work was conducted as part

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resonancia—2012 (Mexico)

  In May 2012, Bilwa and Emily were in Mexico collaborating with Martín Lanz Landázuri and Florian Tuercke, conducting research into movement, sound, space, and resonance, which culminated in three performances in different spaces. This work was conducted as part

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relics—2012 (Berlin)

relics Installation and improvised performance Concept and performance: Bilwa and Emily Sweeney March 16, 2012 WerkStadt Kulturverein Berlin e.V. Berlin, Neukölln     Perpetual Movement Sound inhabited the Werkstadt space for 3 hours each day for 5 days. During these

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relics—2012 (Berlin)

relics Installation and improvised performance Concept and performance: Bilwa and Emily Sweeney March 16, 2012 WerkStadt Kulturverein Berlin e.V. Berlin, Neukölln     Perpetual Movement Sound inhabited the Werkstadt space for 3 hours each day for 5 days. During these

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resonance workshops

| resonance | is a workshop for movement, sound, theatre, and other performing artists. To reverberate mindfully with one another during duet and ensemble improvisation, we practice listening, observing, sensing, and acting from sound, movement, language, and memory impulses. By

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resonance workshops

| resonance | is a workshop for movement, sound, theatre, and other performing artists. To reverberate mindfully with one another during duet and ensemble improvisation, we practice listening, observing, sensing, and acting from sound, movement, language, and memory impulses. By

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